This Drifting Poo Was Far Too Symbolic! It's the TV Letdowns of the Past Year.

As we reflect on the television landscape of the recent year, a handful of shows stand out not for their brilliance, but for their spectacular failures. Ranging from awkward sequels to bafflingly poor documentaries, here are the productions that had us scratching our heads or just reaching for the remote.

And Just Like That

How to start with this love/hate follow-up? Plagued with woeful writing, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show struggled to find its footing. Briefly, as the final series started, it seemed as if it had at last hit its stride. Then arrived an installment all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the final series. It ended on a bum note; the closeup of Miranda’s toilet full of poo was simply too symbolic. Yet, viewers undeniably found joy picking apart every single “what on earth?” moment. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who didn’t let out a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this drama's problems. The subject of a exceedingly uncommon zero star review, it was hard to know where to start listing the problems. The hilariously wooden writing? The tedious glorification of affluence and materialism? The seemingly wilful parade of tropes? Acting so poor they felt borderline malicious? Suffice it to say “each and every one” and forget about this series again. Except, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, abuse allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d really have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various episodes of reckless hedonism while struggling to tell us anything we didn’t already know. Instead, it felt as if this loose cannon was being indulged, so any pity this show might induce should be saved for the people who have had to endure proximity with this charming but dismissive narcissist.

The Iris Affair

Of course we knew it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We stuck with it out of pure love for its leads … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about admitting defeat.

The Gangster Drama

Dodgy characters convening in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge unconvincing dialects. But there were plenty of other problems. Mainly that it was just profoundly dull; a dispute over drug-selling territory between various London picaresques which seemed rather simplistic.

The Meghan Markle Series

Given the extent to which she grinds the gears of the nation’s ostentatiously enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various forays into quaint homemaking as deliberate provocations. But then you view them and are compelled to concede that in this case, they might have a point. It’s like watching a lifestyle magazine come to life; a meme for evening drinks with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, sentimental sayings and forgettable crafting “tips” you’ll not remember instantly. All supported by vast, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be discussed about regarding Victoria Beckham and her journey with vocation, identity, self-acceptance. But for whatever reason, this documentary series opted not to say them. Rather, the viewing was like reading a sales catalogue. She obviously has every right to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this guarded non-event of a series.

The Game Show

It had the potential to be the next big hit – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you ask for? As players competed, there was plenty of betrayal and squabbling. But the rules quickly became bewildering: it’s even now too confusing to detail what exactly was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a programme that was trying way too hard to live up to something far greater than it.

Too Much

How does one follow a show that defined a generation? The pressure was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of famous cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of gifted emerging comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a one-note joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled with care. Rather, the series struggled painfully to find the right tone, lurching from oddly breezy, slightly mannered farce to ultimately, real-life horror. Twisted? Perhaps. A total mess? Very much so.

Prime Target

We love the star … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the brink of a discovery that could ruin society? No! This globe-trotting thriller about government agencies spying on – and killing off – academics frankly got more absurd by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality renowned for explicit escapades as she prepared for her biggest feat yet. What on earth would motivate her? What we wanted was way more examination of her true psychology, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to haul her son out of the queue. What we got was horrific imagery and zero critical analysis of her infamy whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Johnny Fox
Johnny Fox

A London-based theatre critic with over a decade of experience covering West End productions and emerging talent in British drama.